This year too, SPARSH is going to arrange one Marathi drama each in August, September, October, January and February. All the Best (First Year 2013) and Tom and Jerry, Beiman, Mr and Mrs, Alibaba ani chalishitle chor, Ayushyawar bolu kahi (Second Year 2014). These include Pati Sagle Uchapati, Eka Lagnachi dusri Gosht, Sukhanshi Bhandto Amhi, Bechki, Ekda pahu na karun. In these two years, SPARSH has arranged 11 dramas for its members. SPARSH started its operations two years back with huge response from art-lovers and Marathi speaking audience.
The sole purpose of SPARSH Charitable Society was to nurture the Marathi Drama Culture in Vidarbha region, wherein it committed to show five top-most Marathi Dramas each year to its members. The group then grew as ‘SPARSH Charitable Society’ which was formed under founder President, Ajay Uplanchiwar duly supported by Anand Kunnawar, Vivek Kunnawar, and Jitendra Upganlawar, Sarang Upganlawar, Prafulla Rewatkar, Sachin Mukewar, Pravin Jain, Dhananjay Thakre, Pankaj Mahajan, Prashant Wazarkar, Satish Damkondawar, Tushar Padgilwar, Adv Prasad Abhyankar, Parag Dasarwar, Harshad Bhishikar.
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He concluded by saying that his role in a television serial ‘Hum Paanch’ gave him the identity all over the country.Considering the above aspects, two years back, a few dynamic lads who share like mindset came together to address this issue. Similarly, songs of Bharat Ratna Lata Mangeshkar and Mohammad Rafi from 50s and 60s help him to set his mood for shooting. Deshpande, Saraf said that he still reads literature of PuLa whenever he wants freshen up his mind. “Vijaya Mehta gave me the confidence to work in theater and the opportunity given by her to play a character in Hamidabaichi Kothi was a memorable one”, said Saraf while sharing his experiences about theater.Ī diehard fan of P.
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He has sung songs in Marathi Musical Play ‘Sangeet Sanshaykallol’ and a Marathi movie ‘Kalat Nakalat’ but he did not pursue the career in music much since he felt that he was not very good at it. Saraf has been playing Tabla since the age of 5 years and that rhythm sense reflects in his dialogue delivery. This learning attitude from veterans helped me a lot in my career”, admitted Saraf who has acted in more than 250 Marathi films. I admired the compassion in comedy of Charlie Chaplin, liked the style of Laurel and Hardy and appreciated Raja Gosavi’s words throw in dialogue delivery. My uncle had a drama company and my introduction to the entertainment segment and acting started from there. I originally hail from Belgaum but my upbringing was done in Mumbai. “Though I did not get any Guru, I kept on observing and learning from various actors. We attempt comedy from our end but it is important to understand that how audiences find it.” However, we did not get the writers and the scripts that were different from the ones we were doing. My films with him had some specific style of comedy, which was enjoyed by the audiences.
Saraf who made a debut in films through ‘Donhi Gharcha Pahuna Upashi’ in 1971 said, “I am glad that my various films with Laxmikant Berde got the audiences to theaters. Saraf was awarded with the ‘PIFF Distinguished Award’ for his outstanding contribution to cinema yesterday during the inaugural session of 19th PIFF, this interactive session was organized on this backdrop. Jabbar Patel, Festival Director of the Pune International film festival unfolded various aspects of Ashok Saraf’s illustrious career of 50 years through an interactive session with him. People liked the comedy generating from the script or words but did not like the situational comedy as much, opined veteran film, television and theater actor Ashok Saraf while interacting with the media at Patrakar Sangha today.ĭr. I got an image of a lead comedy actor and people liked it. However, there is regret in my mind that my many other off beat roles were not so appreciated. Pune, December 3rd, 2021: The audience loved and appreciated my work in comic roles.